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The Chillout Room
represses good or bad?
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<blockquote data-quote="djperkins" data-source="post: 842252" data-attributes="member: 17130"><p>I'm not at all a music snob..but deffo think that a lot of repressed or re licenced releases are nowhere near the quality of the og cut, can be worse if it's been cut onto a 33 speed, prob cos it's not as loud, or some have been mastered from an audio cassette not DAT..the first pressing of Dark Side Of The Moon by Floyd is highly prized because of the superb sound quality achieved when cutting, note - the disc itself is really thick and stiff, mirror smooth on the runout, so there is also a quality control issue with the vinyl used to begin with. I have had a quite few records pressed up, the first lot they try to mug me off with were rippled, dimpled and the cut was oval and had a pitch rise/fall as the disc rotated...lol..obv I was havin none of it, and sorted another lot out...but just saying, bit like car tyres i reckon.</p></blockquote><p></p>
[QUOTE="djperkins, post: 842252, member: 17130"] I'm not at all a music snob..but deffo think that a lot of repressed or re licenced releases are nowhere near the quality of the og cut, can be worse if it's been cut onto a 33 speed, prob cos it's not as loud, or some have been mastered from an audio cassette not DAT..the first pressing of Dark Side Of The Moon by Floyd is highly prized because of the superb sound quality achieved when cutting, note - the disc itself is really thick and stiff, mirror smooth on the runout, so there is also a quality control issue with the vinyl used to begin with. I have had a quite few records pressed up, the first lot they try to mug me off with were rippled, dimpled and the cut was oval and had a pitch rise/fall as the disc rotated...lol..obv I was havin none of it, and sorted another lot out...but just saying, bit like car tyres i reckon. [/QUOTE]
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The Chillout Room
represses good or bad?
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