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The Chillout Room
Mixing without headphones?
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<blockquote data-quote="U31" data-source="post: 845777" data-attributes="member: 8996"><p>Moulinex, or Kenwood chef, Boddstar? <img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" class="smilie smilie--sprite smilie--sprite2" alt=";)" title="Wink ;)" loading="lazy" data-shortname=";)" /></p><p></p><p></p><p></p><p></p><p>Hell yeah</p><p>The joys of phase meters, Shoomie, </p><p>you roughly know bpm of the choon you're cuing, and the BPM of the tune coming out the master, line fader down, cue up visually on the wave and find first beat, and hit play/ nudge off on beat, bring it in -just ride the pitch fader or jog / platter to keep it near as damn it dead centre, happy with it rewind to cue repeat, rinse and bring the fader up... sound familiar? Been done that way since the 70's but purely by ear and tune knowledge</p><p>With your cans & traditional method your listening for one tune going off beat, and catch it with pitch or platter, with the meters in software there a visual reference too. </p><p>Take it up a level and learn to read the meters, like you learned to hear which tune was running out, know whats slowing or speeding by looking instead of hearing- and I shit you not here, the meter will pick it up long before its audible- you don't need cans for blends. </p><p>BUT YOU NEED TO KNOW THE TUNA 100%.. <u>Unless</u> your using cue points </p><p></p><p>Like it was always done matching in yer cans in the PFL stage of the mixer and using yer lug oles, beat match before bringing in & fine tune the pitch as yer go , now you can learn to pitchride on phase meters too</p><p></p><p>Remember kids, all this modern shite can be turned off in software, and for most Oldschool, most auto shite like synch is next to fuckin' useless as the beats are all over the place, even before it was mastered and laid down, and this is exasperated when the tune is from a vinyl rip due to the decks inherent wow n flutter or any warpage. </p><p></p><p>The modern shite is a tool, there to be used if its useful. If it aint, fall back on your oldskool skills of doing the job</p><p></p><p>One caveat i will say about not using cans, LEVELS. When setting gains and cutting EQ's, nothing beats your ears for that, in software, SO FAR - and ive tried all kinds of gaining software, there, at least, lug oles n brain are best</p></blockquote><p></p>
[QUOTE="U31, post: 845777, member: 8996"] Moulinex, or Kenwood chef, Boddstar? ;) Hell yeah The joys of phase meters, Shoomie, you roughly know bpm of the choon you're cuing, and the BPM of the tune coming out the master, line fader down, cue up visually on the wave and find first beat, and hit play/ nudge off on beat, bring it in -just ride the pitch fader or jog / platter to keep it near as damn it dead centre, happy with it rewind to cue repeat, rinse and bring the fader up... sound familiar? Been done that way since the 70's but purely by ear and tune knowledge With your cans & traditional method your listening for one tune going off beat, and catch it with pitch or platter, with the meters in software there a visual reference too. Take it up a level and learn to read the meters, like you learned to hear which tune was running out, know whats slowing or speeding by looking instead of hearing- and I shit you not here, the meter will pick it up long before its audible- you don't need cans for blends. BUT YOU NEED TO KNOW THE TUNA 100%.. [U]Unless[/U] your using cue points Like it was always done matching in yer cans in the PFL stage of the mixer and using yer lug oles, beat match before bringing in & fine tune the pitch as yer go , now you can learn to pitchride on phase meters too Remember kids, all this modern shite can be turned off in software, and for most Oldschool, most auto shite like synch is next to fuckin' useless as the beats are all over the place, even before it was mastered and laid down, and this is exasperated when the tune is from a vinyl rip due to the decks inherent wow n flutter or any warpage. The modern shite is a tool, there to be used if its useful. If it aint, fall back on your oldskool skills of doing the job One caveat i will say about not using cans, LEVELS. When setting gains and cutting EQ's, nothing beats your ears for that, in software, SO FAR - and ive tried all kinds of gaining software, there, at least, lug oles n brain are best [/QUOTE]
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